ARCHIVE

Take a look...

2019-2020

Museion

(Spring 2020)

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Cosmo

(Autumn 2019)

2018-2019

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Venice

(Summer 2019)

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Islands

(Spring 2019)

Alumnae

(Winter 2018)

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Absence

(Autumn 2018)

2017-2018

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see:one

(2017)

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see:two

(2017)

Boundaries

(2017)

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2016-2017

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Issue 14

(December 2016)

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Issue 15

(February 2017)

2012

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Issue 1

(December 2012)

Online

February 28, 2018

Professor Debby Swallow, the Courtauld's Director and Vice Chancellor, has issued the following statement after a request by the Courtauldian for the Courtauld's management's position on the current UCU strike. 

"The current dispute between University and College Union...

Courtauld academics picketing on the first day of the strike.  

The attack on teachers’ pensions, the cause of the strike, is merely part of a larger system under which the universities have been increasingly marketised and privatised, with dire consequences for st...

February 16, 2018

Michael Fried’s essay, ‘Some new category’: Remarks on Several Black Pollocks featured in the catalogue of Tate Liverpool’s exhibition Jackson Pollock: Blind Spots asks us to view Pollock’s work as a continuation in the trajectory of art history. Whilst the exhibition...

Charles I: King and Collector, Royal Academy

Until 15th April 2018

King Charles I had one of the most incredible art collections of his time, including Titian, Mantegna, Holbein, Dürer and even commissioning the leading contemporary artists such as Van Dyck and Rubens. H...

February 8, 2018

Htein Lin with a plaster cast of a forearm from ‘Show of Hands’ (2013-ongoing)

As both the first Papal visit to Myanmar and the debut show of the Lunn + Sgarbossa collaboration, ‘Voices of Transition: Contemporary Art from Myanmar’, draw to a close this weekend, politic...

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The Courtauldian

c/o The Students’ Union

The Courtauld Institute of Art

Vernon Square, 

Penton Rise,

London

WC1X 9EW

the.courtauldian@courtauld.ac.uk

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