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Join date: Mar 13, 2026

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Jul 19, 2026 ∙ 3 min
Form and Fire at Sadler’s Wells Flamenco Festival, 2026: A review of Esther Merino’s En Tierra de Hombres and Ballet Flamenco de Andalucía’s Tierra Bendita
The performance of Tierra Bendita, by the Ballet Flamenco de Andalucía, at the Sadler’s Wells Flamenco Festival, 2026. Image credit: Teresa Montellano Sofia Stefani In Esther Merino’s En Tierra de Hombres, a suite of songs, flamenco courses through the body like fire, burning without consuming. As Merino sang over the course of an hour, her voice reached across anger, love, and despair. Her hands and face moved to fit each song, following her voice—her hands trembled; she shook and...

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May 30, 2026 ∙ 3 min
Whither the self and the machine?: a review of REMACHINE at Sadler’s Wells East
Sofia Stefani Jefta van Dinther's REMACHINE at Sadler's Wells East © Jubal Battisti Today, when salient issues of the mechanical in our environment seem most mired in technological developments without an obvious physical presence, Jefta van Dinther’s choreography in REMACHINE seems to evoke a less striking, industrial sense of the mechanical—humans working with big machines, or the human body as machine. A performance at Sadler’s Wells East choreographed by van Dinther, with music by David...

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Apr 13, 2026 ∙ 4 min
Screening Ourselves: A Review of Mirror / Rite of Spring at Sadler’s Wells
Sofia Stefani Press Image for Mirror / Rite of Spring . Header image ©️ Thomas Alexander Mirror, a striking new contemporary dance piece from the Alexander Whitley Dance Company (AWDC), opens as an intimate duet. A pair of dancers take the stage, moving in fluid embrace as their performance begins. Immediately evident in their costume design, however, is a foreshadowing of technological disruption to their dance. The performance’s titular theme of interrogating the risks of developing an...

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Sofia Stefani

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