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Join date: Mar 13, 2026

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May 30, 20263 min
Whither the self and the machine?: a review of REMACHINE at Sadler’s Wells East
Sofia Stefani Jefta van Dinther's REMACHINE at Sadler's Wells East © Jubal Battisti Today, when salient issues of the mechanical in our environment seem most mired in technological developments without an obvious physical presence, Jefta van Dinther’s choreography in REMACHINE seems to evoke a less striking, industrial sense of the mechanical—humans working with big machines, or the human body as machine. A performance at Sadler’s Wells East choreographed by van Dinther, with music by David...

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Apr 13, 20264 min
Screening Ourselves: A Review of Mirror / Rite of Spring at Sadler’s Wells
Sofia Stefani Press Image for Mirror / Rite of Spring . Header image ©️ Thomas Alexander Mirror, a striking new contemporary dance piece from the Alexander Whitley Dance Company (AWDC), opens as an intimate duet. A pair of dancers take the stage, moving in fluid embrace as their performance begins. Immediately evident in their costume design, however, is a foreshadowing of technological disruption to their dance. The performance’s titular theme of interrogating the risks of developing an...

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Mar 13, 20264 min
Excavating “Echo's Bones”: A Review of Petra Feriancová at EXB Exmouth Market
Sofia Stefani Petra Feriancová, I was in the shower with a moth (2025) and Untitled (Hands/Skulls) (2016/2026). Photographed by Sofia Stefani. The risk of an exhibition built on diverse literary references and multiple media is that it becomes discontinuous. Petra Feriancová’s solo show, “Echo’s Bones,” at Elizabeth Xi Bauer (EXB), Exmouth Market, fits many such references—from archeology and autobiography to Ovid’s Greek myth of Echo and Narcissus, Samuel Beckett’s short story Echo’s Bones...

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