Current Affairs 6.04

Unheard tape of Francis Bacon shredding Jasper Johns and Andy Warhol is revealed


A tape has been revealed in which Francis Bacon calls John’s painting False Start ‘ridiculous’ and Warhol’s works ‘very bad’. He goes on to say: “It is such a ridiculous thing”. “The whole thing, it is nothing. It is just a series of a number of diagonal scratches going in different directions in red and blue.”


Read the full article at:


https://www.theguardian.com/artanddesign/2018/mar/30/francis-bacon-shreds-jasper-johns-and-andy-warhol-in-unheard-tape


Indonesian Tourist Attraction is a complete rip off of Chris Burden, Yayoi Kusama, and Museum of Ice Cream

A new tourism park in Indonesia, seen to be a destination for selfies, has copied a series of widely recognized contemporary artworks. It features installations nearly identical to immersive works by Chris Burden and Yayoi Kusama. Users on social media have since called out the attraction for blatant plagiarism and lack of creativity.


Read more at:

https://hyperallergic.com/434658/tourist-attraction-indonesia-yayoi-kusama-chris-burden-ripoffs/



Bean There, Done That: Houston Gets a Precursor of Chicago’s Shiny Anish Kapoor​

“The Museum of Fine Arts, Houston (MFAH) unveiled a new outdoor sculpture on Monday, a monumental reflective piece by Anish Kapoor that immediately brings to mind his iconic “Cloud Gate” in Chicago, more widely known as “The Bean.”


Read more at:

https://hyperallergic.com/434880/museum-of-fine-arts-houston-cloud-column/

Studio Face, April 6th- May 12th, Charlie Smith London, 336 Old Street, 2nd Floor

Keira Bennet presents Studio Face, at Charlie Smith London. She aims to adopt the tenets of early modernism and paint the experience of everyday life. She begins with personal experience and the feelings that come with it, showing abstractions of everyday experience.


https://www.artsy.net/show/charlie-smith-london-studio-face?from-show-guide=true

A Brancusi has disappeared from plain sight in a Parisian Cemetery

The Cimetière du Montparnasse, Paris is at risk of losing one of two of its most distinctive occupants. “The Kiss” by Constantin Brancusi, 1909 has crowned Tatiana Rachewskaïa’s tomb for more than a century. It has been on view just inside the cemetery’s Rue Émile-Richard entrance since the very end of 1910 or early 1911. But, for at least six months now, the sculpture has been covered up and mysteriously concealed from public view.

Read more at:

https://hyperallergic.com/434954/constantin-brancusi-paris-cemetery-boxed-up/

Why are less Brits visiting museums?