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Rivers V

Swear by my waters

all hopes

and prayers

the pinky promise of young hands

the dearest oath of the pious

to placate

to assure

I care not for.

May the deceivers drown 

The mean-wellers lament.

The follow-uppers resent.

Swear by my waters

it’s only your breath.

 

I offer you a drink.

Cheers to the memories!

What memory?

Footprints in the sand

washed clean by waves.

Lifelines swept away in the weave.

However large

or mundane,

I consume, so let troubles wane.

Take the drink.

Never rethink.

 

I will take your tears.

The trickle of one tear joins

the tide of thousands.

Screeching owls fly above

and wailing foxes scratch glacial shores.

Scream the age-old scream,

grieve the course of every grieving soul.

I will let you sink beneath

and mute your manic yells.

Join the screaming streams.

 

No relief from my riptide.

All shall abide.

Sail across with the ferryman,

yet my waters always swell.

Jagged rocks take blood,

and lungs ache with the last breath.

Though some can swim,

few can win.

 

The hottest blaze appears so cold.

Tempts you–feel my flickering flame.

Wash you in my roaring warmth.

Smoulders on the banks,

sands turn to glass.

Blue swirls feed

on the greed.

A fire for a fire.

Raging fire.

Thirsting fire.

Desire my fire but burn by my flames.

 

Come to the place where all rivers lead.



Writer's Notes


I was inspired by the five rivers of the underworld in ancient Roman/Greek mythology. Each stanza gives a ‘voice’ to a different river.


The first stanza emulates the river Styx–the most familiar underworld river. It is conspicuous for being the entity for which gods and mortals swear binding oaths to.


William Blake, The Circle of the Lustful: Paolo and Francesca, 1825-27, View of artwork in situ, The Met Museum, image taken from metmuseum.org
William Blake, The Circle of the Lustful: Paolo and Francesca, 1825-27, View of artwork in situ, The Met Museum, image taken from metmuseum.org

We proceed to the voice of the Lethe. Drinking from the waters of the Lethe removed memories so one could lavish in Elysium (paradise) without recollections of their previous life.


Salvador Dali, The Endless Enigma, 1938, View of artwork in situ, The Museo Nacional Centro De Arte, image taken from dalipaintings.com
Salvador Dali, The Endless Enigma, 1938, View of artwork in situ, The Museo Nacional Centro De Arte, image taken from dalipaintings.com

Then to the River Cocytus–the river of lamentation. The nature imagery highlights the ubiquitous quality of grief and sorrow; it even transcends humanity.


Gustave Dore’s Illustrations from Dante’s Divine Comedy, Ugolino and Archbishop Ruggieri, Plate 69, 1857-1868, image taken from meisterdrucke.uk
Gustave Dore’s Illustrations from Dante’s Divine Comedy, Ugolino and Archbishop Ruggieri, Plate 69, 1857-1868, image taken from meisterdrucke.uk

The Acheron is often seen as the main river of the underworld. The ‘ferryman’ references Charon. The Acheron is the river of pain. The implication that you can swim across offers hope, but this is at Charon’s discretion (usually dependent on payment), and thus the hope is slim and you can’t ‘win’. This also connects to the idea of persevering through pain, but ultimately offers a pessimistic conclusion.


Gustave Dore’s Illustrations from Dante’s Divine Comedy, Charon and The River Acheron, Plate 9, 1857-1868, image taken from meisterdrucke.uk
Gustave Dore’s Illustrations from Dante’s Divine Comedy, Charon and The River Acheron, Plate 9, 1857-1868, image taken from meisterdrucke.uk

Finally, the Phlegethon is the river of fire. This encompasses all aspects of fire: both its connotations of desire and temptation, as well as its capacity for warmth, but with the threat of destruction.


Peter Paul Rubens, The Fall of the Damned, 1621, image in situ, Alte Pinakothek, Munich, image taken from app.pinakothek.de
Peter Paul Rubens, The Fall of the Damned, 1621, image in situ, Alte Pinakothek, Munich, image taken from app.pinakothek.de

The final line is a call to dead souls, to at last enter the underworld.

 

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