COLUMNS

We Are Here

Starting from a rather solemn statement, We Are Here explores the oftentimes precarious relationship between art and ethnic minorities by contemplating a broad range of art and art historical texts. Looking into various artworks and texts fortnightly, whether that be art made by ethnic minorities, artworks portraying them, or texts on decolonisation and orientalism, it aims to address the existence of the peoples in art that has not been voiced for long. Although discussion on race, ethnicity, discrimination, and exclusion is and should be unsettling and demanding - even when accompanied by joyful patches of colour - We Are Here endeavours to begin this conversation by giving awareness to the very being of equal individuals who were or still are 'here.'
by Lynn ha

Hemlines: Notes on Fashion

What is fashion? Is it the haute couture looks that gallop down runways in New York, London, Paris, and Milan two times a year? Or is it the hand-me-down college sweatshirt you stole from your mom that feels like home when you wear it? Or perhaps it’s the designer handbag you bought yourself on your birthday last year? No, wait, maybe it’s the pair of Levis 501s that you wear five times a week? Hemlines: Notes on Fashion is a column that will explore, analyze, and critique fashion as both an industry and a form of artistic and creative expression. From the atelier to the closet, fashion as a medium holds the power to impact and reflect our lives and experiences both universally and personally. Hemlines will act as a forum to investigate fashion as both an everyday outlet for personal creativity and expression, but also as a medium that is profoundly intersectional, calling into question issues of politics, gender, race, and environment.
by Elizabeth Mullaney