Disco Pigs

Beatrix Swanson Scott is a guest writer for the Courtauldian. She is studying for a BA in Liberal Arts at King’s College London.

Evanna Lynch as Runt © Alex Brenner

Pig and Runt have been inseparable since birth. Born to different mothers as Darren and Sinead, they came into the world in hospital beds next to each other and were raised in houses that stand side by side. The two are each other’s whole worlds. When their seventeenth birthday arrives, they decide to make a wild night of it. Disco Pigs grabs the audience and pulls them along on a journey of excitement, discovery and looming violence.


In this one-act play by Dublin playwright Enda Walsh, two teenagers stuck on an estate in dismal Cork City create their own world in which they are ‘king and queen’. Written in a thick Cork dialect, with almost poetic, grammar-less language, the play requires strong performances to bring it to life and make it understandable to a wide audience. Evanna Lynch (Harry Potter’s Luna Lovegood) as Runt and Colin Campbell as Pig do this brilliantly; they are full of relentless energy - beware, you may end up being sprayed with bodily fluids. Pig burns with desperation for sexual contact with Runt, which he details in an explicit monologue, and is ever on the cusp of violence, whilst Runt’s liveliness contains a wistful dawning realisation of a world beyond Cork City. Part coming-of-age story, part love story, part working-class drama, this play defies stereotypes through its eclectic structure and skilled, lyrical use of language. At times, it’s almost like watching spoken word.