A Nest of One’s Own: Making a Home in Deborah Levy’s “Real Estate”
By Michelle Hui Claude Monet, Snow Scene at Argenteuil, 1875. Oil on canvas, 71.1 x 91.4 cm, The National Gallery, London. From:...
A Visit to St Bartholomew the Great
By Freddie Bond Whilst walking to my seminar at the Barbican gallery the other week, with spare time and looking for a break from the...
The City of Concrete Sets the Stage for a Greener Future
A Review of Re/Sisters: A Lens on Gender and Ecology By Minna Church Barbara Kruger, Untitled (we won’t play nature to your culture),...
Seen and not Heard: The Construction of Childhood in the Psychological Thriller
By Eve Reid [Trigger Warning: discussions of suicide and violence against children and adults.] Scandinavian and Western European...
Now I Understand Why the Pen Is Mightier Than the Sword, Why Words Are Named as Weapons.
By Carys Maloney Gustave Doré (1832-1883), Arachne (c 1867), engraving for Dante’s Purgatory Now I understand why the pen is mightier...
La Bourse de Commerce: The Museum that is Taking Paris by Storm
By Mathilda Drukier The Bourse de Commerce, which recently took over Paris in May 2021, is François Pinault’s third museum (Palazzo...