Sarah Vidalin returns to the exhibition through a discussion with its artists and curator. Artists Gabriel Campbell and Sebastian Alabaster in conversation with curator Mei Bassett-Chen and Olivia Rössler at the Warburg Institute. Photograph by Immer Salvador. Last Friday evening, following Morisot’s exhibition Imaginary Possessions, artists Sebastien Alabaster and Gabriel Campbell joined Mei Bassett-Chen, co-owner of Morisot and curator of Imaginary Possessions, and Olivia R

The performance of Tierra Bendita, by the Ballet Flamenco de Andalucía, at the Sadler’s Wells Flamenco Festival, 2026. Image credit: Teresa Montellano Sofia Stefani In Esther Merino’s En Tierra de Hombres, a suite of songs, flamenco courses through the body like fire, burning without consuming. As Merino sang over the course of an hour, her voice reached across anger, love, and despair. Her hands and face moved to fit each song, following her voice—her hands trembl

Dana Aben Accepted but never understood... Image: The Hepworth Wakefield. Photo: Mark Heathcote "In a way my colour has been accepted but never understood," Barbara Hepworth once remarked. It is this statement that forms the conceptual foundation of Hepworth in Colour at The Courtauld Gallery, the first exhibition devoted entirely to colour in the artist's work. Co-curated by Dr Alexandra Gerstein and Dr Stephen Feeke, the exhibition seeks not simply to highlight a neglected