

Whither the self and the machine?: a review of REMACHINE at Sadler’s Wells East
Sofia Stefani Jefta van Dinther's REMACHINE at Sadler's Wells East © Jubal Battisti Today, when salient issues of the mechanical in our environment seem most mired in technological developments without an obvious physical presence, Jefta van Dinther’s choreography in REMACHINE seems to evoke a less striking, industrial sense of the mechanical—humans working with big machines, or the human body as machine. A performance at Sadler’s Wells East choreographed by van Dinther, with


The Price of Proof: Amalia Dayan on Auctions, Authority, and the New Logic of Value
Yuval Aluf Amalia Dayan... Photo: Courtesy of Lévy Gorvy Dayan Just off Fifth Avenue, New York City, where midtown traffic folds into the usual afternoon rhythm of horns and hurried appointments, the entrance to Lévy Gorvy Dayan offers an abrupt shift in tempo. Inside the townhouse, the city's noise gives way to something quieter: white panelled walls, a marble staircase curling upward, a checkered floor whose muted reds echo the deep crimson of Domenico Gnoli's paintings han


No Permission Necessary: Inside Imaginary Possession
Sarah Vidalin Space for the next generation... Photo: Courtesy of Morisot On Wednesday evening, tucked into an East London side street off Whitechapel Road, second-year Courtauld BA student Mei Bassett-Chan previewed her first solo-curated exhibition Imaginary Possession. Presented by Morisot, an organisation co-founded by Bassett-Chan and one of the exhibitions featured artists, Sebastian Alabaster. In addition to Alabaster, this five-day event also includes artist Gabriel C


The Silent Circus: Rever en equilibre at the Fondation Louis Vuitton
Natalie Ioele Alexander Calder, Dispersed Objects with Brass Gong, 1948... Photo: courtesy of Calder Foundation, New York / Art Resource, New York Alexander Calder is the focus of the latest major retrospective, Calder: Rêver en équilibre (Dreaming in Equilibrium), which opened April 15th at the Fondation Louis Vuitton in Paris. Curated by Olivier Michelon, the exhibition spans the entire three floors of the Frank Gehry building and comprises more than 300 works. In recent ye


Tracey Emin's I Need Tomorrow: Entirely Unintentional. Entirely Emin.
Milla Peerutin Tracey Emin, I Need Tomorrow, 2026... Photo: Counter Editions On Wednesday evening at the London Original Print Fair, Counter Editions unveiled a suite of six new lithographs, entitled I Need Tomorrow, by Tracey Emin. This comes as a complete shock to many, even Emin herself, following her landmark retrospective, A Second Life currently on show at the Tate Modern. By the time most people heard of the series, they had almost entirely already sold out. I Need To


Artists, curators and art workers strike to protest the inclusion of Israel at Venice Biennale
The strike marks the culmination of 3 days of protest led by the collective Art Not Genocide Alliance (ANGA) Demonstrators protest in front of the Giardini this afternoon... Photo: Tien Albert Tien Albert, Editor-in-Chief At least 236 artists, curators, and art workers involved in the Venice Biennale are taking part in a 24 hour strike that has culminated in a protest in front of Venice’s Giardini this afternoon. Several hundred demonstrators participated, chanting pro-Palest


