The Evening Sun (Iphigenia), c 1860, by Oscar Rejlander The Victorians lived in a world flooded with new optical instruments and...

Illustration by Tessa Carr Kettle’s Yard was created in 1956 by Jim and Helen Ede, it was their home. Jim a Tate curator and Helen an art...

Michael Fried’s essay, ‘Some new category’: Remarks on Several Black Pollocks featured in the catalogue of Tate Liverpool’s exhibition...

Htein Lin with a plaster cast of a forearm from ‘Show of Hands’ (2013-ongoing) As both the first Papal visit to Myanmar and the debut...

Rey Dir. Niles Atallah (Chile/France/Holland/Germany/Qatar, 2017) The indigenous peoples of what we have come to call Latin America...

‘Every relationship needs a man’ is a belief prevalent in our society from its very beginning. But if we try and actually follow this...

‘Elephant Park’, 2017 formerly the Heygate Estate. Photograph by Matt Page. Since its inception in the early twentieth century, the...

Illustration by Lucy Key-Stratton In the 72 years of their existence, the names Moomintroll, Snorkmaiden and Snufkin have come to...

Annely Juda Fine Art: 8 November - 14 December 2017 Annely Juda Fine Art presents a group show exploring a fundamental principle of art...

Last year, Store X (180 the Strand) was taken over by The Hayward Gallery for the enormously successful ‘Infinite Mix’ exhibition. Now...