

New Alte̲rs: Reworking Devotion
by Sarah Mackay | 2 May 2022 Content Warning: This article discusses racially motivated murder. The cover of TIME magazine's June 15,...


Hoarding or Protecting?: The Sensitivities of the Storeroom
by Yuna Kim | 25 January 2022 Mustachioed male (marble bust) focuses attention on nude female (life-size marble sculpture) in a storage...


Nostalgic Arcadia: Cottagecore and its Origins
by Madeline Defilippis | 14 September 2021 Image: @iridessence on Instagram After the last two years, it’s pretty clear why people need...


Mary Phan: Literary Segment 21-22
31 January 2022 Impact I only had two wisdom teeth, two vestigial bones taken root horizontally in my bottom jaw. I tried so hard to numb...


Finding Solace in Familiar Faces: Plastering the streets of London.
by Sara Quattrocchi Febles | 17 August 2021 With the monotonous life I followed for a big part of my last year at the Courtauld due to...


Noguchi
by Caroline Benedict | 10 November 2021 Noguchi exhibition, Barbican Art Gallery. The Noguchi exhibition unfolding at the Barbican Art...


Limbo by Maya Fletcher-Smith
Director Ben Sharrock has utilised the tragicomic genre to it’s best, most poignant effect. 08 August 2021 Still taken from Limbo,...


Madame d'Ora: Master of Her Art
by Lori Stranger | 29 November 2021 Dora Kallmus, better known as Madame d’Ora, was a prominent photographic portraitist in the 20th...


A Revolutionary Retrospective: Paula Rego
by Lori Stranger | 19 October 2021 The Tate Britain’s Paula Rego exhibition spans her 70-year career in a long overdue celebration of her...


Donatello: Sculpting the Renaissance
by Matthew Biedermann | 15 February 2023 Figure 1: Donatello, David (Florence: Opera del Duomo, c. 1409). Descending downward into the...


