Sonia Boyce: Wallpapering the British Pavilion by Madeleine Jordan
13 May 2022 This article accompanies an interview on the Courtauld's Bloomberg Connects app profile with Courtauld Alumna and British...
A Passage into the Occult at the Guggenheim Collection by Caroline Benedict
24 May 2022 On the occasion of the 2022 Venice Biennale, the Peggy Guggenheim Collection explores the theme of the occult in Surrealism....
A Vanishing Venetian Art Form: Marcantonio Brandolini d’Adda and Murano Glass Fragments by Kirk P-T
by Kirk Patrick Testa | 01 July 2022 Marcantonio Brandolini d'Adda, UNKNOWN N. 67, 2022, Murano glass, detail (Image Courtesy PATERSON...
Lost and Found: Surrealism and the Roots of Change by Mary Phan
10 July 2022 Illustration by Sasha Dunn Often associated with the machismo bravado and drama of the likes of Salvador Dalà or Man Ray,...
Redressing the Balance: Gender at the 59th Venice Biennale by Rachel McHale
13 July 2022 Illustration by Finlay Thompson For the first time in the 127-year-history of the institution, this year’s Venice Biennale...
Sarah Bahbah: An Artist Of and For Our Generation
by Madeline DeFillipis | 15 October 2021 The millennial condition is often described as one which encompasses the universal through the...