Fragile Beauty: Sir Elton John and David Furnish’s photography collection – aestheticizing and gutting the human
Written by Avigayil Ashton   The human, political and aesthetic – an indulgent look into fashion, flesh, and humanity. Fragile Beauty...
Spinning Tales: A Digital Thread through Aziza Kadyri's AI Textiles
By Madeline Davies Cover image: Detail from Aziza Kadyri, The Drought , 2024, View of artwork in situ, Pushkin House, image taken by...
Lygia Clark, the Brazilian Museum, and a Willing Hand: A Response to Lygia Clark: The I and the You at Whitechapel Gallery
Written by Maria Cicala Lygia Clark is a household name in modern Brazilian art. To most, the artist conjures up slightly dusty black and...
Time is Always Now: through the vision of African diaspora
By Yoyo Hou "Each of us is a cacophony of experience. Not just a seamless self." (1) -- Nathaniel Mary Quinn What does Black Art mean to...
Sargent and Fashion: Trend Alert!
By Mathilda Drukier Sargent and Fashion: Trend Alert! The much-awaited exhibition Sargent and Fashion has finally made its way to the...
Entangled Pasts, 1768–Now: BAME Figures in Art Have Always Been Here and Are Not Going Anywhere.
By Mathilda Drukier On display at the Royal Academy of Art until the 28th of April 2024, Entangled Pasts, 1768–Now looks at Britain’s...
Discover Liotard and the Lavergne Family Breakfast
By Yoyo Hou This exhibition ‘Discover Liotard and the Lavergne Family Breakfast’ spotlights ‘the most lavish game of...
Collecting Beautiful Moments: A Reflection of The Small Pleasures of Life by Philippe Delerm
By Mariam Pari Vanessa Bell, A Conversation, 1913-1916. Oil on canvas, 86.6 x 81cm, The Courtauld Gallery. Digital photograph accessed...
Happy Christmas (War Is Over), Love, John & Yoko
By Katie Gillespie In December 1969, then British Prime Minister Harold Wilson received a Christmas card with the words, ‘War is Over! If...