

Seeing and being seen: candid snaps of superstardom at Gagosian
Elizabeth Maisey Paul McCartney, Self-portrait in my room at the Asher family home, Wimpole Street, London, December 1963 © Paul...


'As soon as you call someone the enemy, you make it a noun - fixed, non-negotiable.' - I Saw the World End at the Imperial War Museum
By Bowie Sharp 'I Saw the World End' at Picadilly Circus. Image courtesy of Es Devlin. As dusk fell on August 6th, 2025 - exactly 80...


'What's The Problem?' Ed Sheeran's paintings at Heni Gallery
By Elizabeth Maisey Photo by Ellie Lawrie On a side street in tourist-heavy Soho, an area full of private galleries and arts corporations...


Is humanity innately good or evil? Revisiting The Ballad of Songbirds and Snakes
Written by Avigayil Ashton Suzanne Collins, The Ballad of Songbirds and Snakes, 2020 Is humanity, at its core, good or evil? Once...


Letizia Battaglia: Life, Love and Death in Sicily – a review
Written by Julia Hargitai The currently ongoing exhibition at The Photographer’s Gallery explores the career of Letizia Battaglia...


Elias Canetti, The Tongue Set Free: Remembrance of a European Childhood
Written by Nina Follows An alluringly titled, forty-year-old volume lent to me by a charming stranger at a party, I found myself rather...


Review: Sally Rooney’s Intermezzo
Written by Nina Follows Black and white and Yves Klein Blue, you’ve probably seen it all over Instagram. From among carefully curated...


Time is Always Now: through the vision of African diaspora
By Yoyo Hou "Each of us is a cacophony of experience. Not just a seamless self." (1) -- Nathaniel Mary Quinn What does Black Art mean to...


Sargent and Fashion: Trend Alert!
By Mathilda Drukier Sargent and Fashion: Trend Alert! The much-awaited exhibition Sargent and Fashion has finally made its way to the...


Entangled Pasts, 1768–Now: BAME Figures in Art Have Always Been Here and Are Not Going Anywhere.
By Mathilda Drukier On display at the Royal Academy of Art until the 28th of April 2024, Entangled Pasts, 1768–Now looks at Britain’s...


