

Hemlines: Notes on Fashion with Elizabeth Mullaney
What is fashion? Is it the haute couture looks that gallop down runways in New York, London, Paris, and Milan two times a year? Or is it...


The Art of Craft with LOUISA HUNT
From weaving to woodworking, everyone’s talking about craft. Oh, you’re not? Don’t worry, you will be soon. In this column, I want to...


COLUMN: Undiversifying Diversity with Yuna Kim
Curated Representation at the 2021 Frieze Art Fair and London Film Festival The past year of the pandemic emptied the streets and cut off...


The Disappearance of My Mother
by Agnese Oliveri | 4 January 2021 Directed by Beniamino Barrese, Documentary, 1h 34m. Benedetta wishes to leave Milan for a new haven,...


Carlo Crivelli
by Sophie Buckman | 23 January 2022 In 1936, Raimond Van Marle dismissed the work of quattrocento painter Carlo Crivelli as ‘quaint,...


The history of the Christmas card — Is it more than just a commercialised piece of paper?
by Esme Kroese | 14 December 2021 As a child I grew up with Christmas cards, whether at school where I wrote them for my teachers and...


The Attitudes of Lady Hamilton
by Sophie Buckman | 1 November 2021 Recalling Lady Emma Hamilton’s ‘Attitudes’, a series of tableaux vivants performed in Naples in the...


Carla Lonzi and The Gift of Resonance
by Agnese Oliveri | 6 May 2021 I would say that ever since I started studying art history at university, I have experienced a series of...


Encountering Anthony Christian
by Sarah Rodriguez | 25 March 2023 According to Anthony Christian, Art with a capital A is dead, or—at the least—about to die. And still,...


Eugène Leroy and Hao Liang: Catching a Catfish with a Gourd
by Matthew Biedermann | 6 March 2023 Figure 1: Josetsu, Catching a Catfish with a Gourd, ink and colour on paper (Kyoto: Taizo-in Temple,...


