

Dressing with Dissent
The month of October has been one of protest. Dissatisfied with the English government’s response to climate change, swathes of people...


Max Porter's 'Lanny': ‘In Came the Sound of a Song, Warm on his Creaturely Breath….’
Not far from London, in an unnamed sleepy English village, Max Porter invites us to step into his dark green folk tale about a boy and an...


Playing Host to Istanbul's 16th Biennial: A Highlight from the Pera Museum
The seemingly unexpected trajectory of storytelling—an amalgamation of time, space, and events—poignantly unveils itself through the 2005...


Christoforos Savva in Venice: An Interview with Andre Zivanari
This article was previously published in the special edition, VENICE (July 2019). For the 58th Venice Biennale, Cyprus is being...


Venice: Eat, Pray, Love (But Mainly Eat)
This article was previously published in the special edition, VENICE (July 2019). “I wish Giovanni would kiss me,” is the first line of...


Why I Can't Stop Thinking About 'Barca Nostra'
This article was previously published in the special edition, VENICE (July 2019). I was, admittedly, a little nervous to write this piece...


A Ten-Year Long Reflection on La Serenissima
This article was previously published in the special edition, VENICE (July 2019). Let’s be honest, I barely remember that trip to Venice...


The Music of the Lagoon
This article was previously published in the special edition, VENICE (July 2019). "In every home, someone is playing a musical instrument...


The Poets of Venice - 'Around me are the Stars and Waters'
This article was previously published in the special edition, VENICE (July 2019). To call Venice a city of ghosts is painfully cliché....


'Holding Up a Mirror' to Malaysia and the World
This article was previously published in the special edition, VENICE (July 2019). This year has seen Malaysia grace the Venice Biennale...


