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'As soon as you call someone the enemy, you make it a noun - fixed, non-negotiable.' - I Saw the World End at the Imperial War Museum

By Bowie Sharp 'I Saw the World End' at Picadilly Circus. Image courtesy of Es Devlin. As dusk fell on August 6th, 2025 - exactly 80...

'What's The Problem?' Ed Sheeran's paintings at Heni Gallery

By Elizabeth Maisey Photo by Ellie Lawrie On a side street in tourist-heavy Soho, an area full of private galleries and arts corporations...

TikTok Displays and West Bank funding: Elliott Roy's 'real art' at the ICA - video

By Tien Albert This short documentary tells the story of how Elliott Roy, a fine artist, chose to ditch his paintbrush for an iPhone at...

The Artistry of Kate Bush - a ‘De Efteling’ Special

By Pipit Johnson Kate Bush in 1978 In February 1978, at just nineteen years old, Kate Bush released her debut album The Kick Inside and...

Review / Reminiscence : Vincenzo Latronico’s Perfection and an ode to Berlin

If rumours of a new publication by Fitzcarraldo — the painfully chic modern publishing house scattering blue and white volumes across London

1560s Venetian Gown in Two Days - Or How to Bring Renaissance Venice to your Sitting Room

Written by Amos Jevons Figure 1: The Lonely Courtesan In the grey pallor of February, when the damp winter air was just lifting, I felt the floating city of Venice appear in my head as an endless source of inspiration. In particular, the sixteenth century and its gilded stiffness that complements the whimsical city. The culture of courtesans thrived in Renaissance Venice and allowed women more agency than before, including education and income they could call their own. Of c