

Contemporary Chinese Performance Art: An Interview with Yingmei Duan
Yingmei Duan (b. 1969) left her home country China in 1998, after being a member of the underground Beijing East Village group between...


The Mind and Practise of Michael Felber
Arctic Father - 22.5” x 30”, colored pencil on paper Since the beginning of the new year I have had the pleasure of engaging in a regular...


20 Portman Square, Somerset House: The Buildings of The Courtauld. An Interview with Anthony Robins
Illustration by Tessa Carr Walking into Somerset House for each visit to the library, for each lecture or class, I am constantly grateful...


The Great Spectacle
Thomas Rowlandson and Augustus Charles Pugin, ‘Exhibition Room, Somerset House,’ 1808. Engraving. (Image: Wikimedia commons) If we want...


The Wallace Collection: An Interview with the 9th Marquess of Hertford
Illustration by Nia Thomas The beloved Wallace Collection boasts a rich and exhilarating heritage, one that is intrinsically linked to...


Curiosity, Collecting and Cabinets - An Interview with Mark Dion
Detail from The Wonder Workshop (2015) by Mark Dion American conceptual artist Mark Dion has long been fascinated with how we understand,...


Interview and Studio Visit with 'the Godson of Andy Warhol'
Written by Eleanor Stephenson. Photographs by Juliet McLoughlin E.S. André Leon Talley, the former editor of Vogue, called you ‘the...


Marine Tanguy Interview
Illustration by Jemima Hooke Following Marine Tanguy’s talk last month in collaboration with the Business of Art Society, we have asked...


The Wheel Keeps Turning – An Interview with Carina Ciscato and Chris Keenan
Photo by Michael Harvey, Copyright Chris Keenan When I think about the role of technology in the arts, what first comes to mind is video...


The Montage Mädels
The morning after Trump was elected a group of Courtauld students met for a lesson on Dada and Fascism. That same day, they founded the...


