

Courtauld versus Courtauld: Or the most frustrating hour of my life
Illustration by Grace Han The UCU and Senior Management Q&A held Thursday, 13 February felt a lot like divorce court. Both were part of...


Flesh and 3 Lines
Artwork of the Month | March Kira Gurmail-Kaufmann I’ve always been drawn to the nude body in a 'matter of fact' way. It still surprises...


The Jester of Performance: A Conversation with Caz Egelie
Caz Egelie is featured in Open Space’s exhibition Forum: Bread and Games at the Ugly Duck in Bermondsey. The Dutch artist transcends the...


Doodling on Museum Walls
1. The Artist Who Doodles on a Museum Wall On a recent trip to Vienna, I visited an exhibition focused on contemporary drawing at the...


Gazelli Art House's 9th St. Club
An exhibition seeking to undo the stereotype of abstract expressionists as 'macho' men Resisting the underestimation of women in the...


The Stillness of Copland: The Dance of the City
Illustration by Vitoria Mendes When composer Aaron Copland is still, he is deadly still. One daren’t move when in the presence of such...


Gettin' There: Chapter Four
Gettin' Dressed to Get There Illustration by Izzy White It is generally agreed upon that there is a part of performance in social...


The Ivory Tower vs. the Brutalist Tower
Those creating policy are still so far removed from what life is like on a council estate, what does this mean for the people that live...


Is an Artistic Education Essential?
Illustration by Himarni Brownsword You probably wouldn’t win much money betting on whether this article was written by a Courtauld...


Little Women: Is another film adaptation really necessary?
May Alcott, Fronstpiece Illustration from Part 2 of Little Women, (image: Houghton Library, Harvard University) Little Women was first...


