Attendees: Please Take Notes on Camp!
When I heard that the theme of this year’s Met Ball was based on Susan Sontag’s 1964 essay ‘Notes on Camp’ I was both excited and...
Defence Secretary Sacked on Eve of Losses for Both Parties at the Polls
This first week back for MPs, my column, and all Courtauld students was shaping up to be a suspiciously peaceful one, that was until the...
Feminism, Sex and Power: The Life and Music of Barbara Strozzi
Hello everyone and welcome to my new column on unsung women in the history of the arts! I’m Francesca, a second-year undergrad here at...
Recycling Right: S-1500 by Snøhetta
S-1500 by Snøhetta (Image: snohetta.com) A few weeks ago, I shared some facts about this chair on The Courtauldian’s Instagram page as a...
Fascism and the ‘Call to Order’
It seems we are on the inside, looking out, of a storm of change in politics currently. While change is almost always seen as an...
John Carpenter’s ‘They Live’: A Hard-Hitting Wake-Up Call
In ‘The Loop or the Vortex’, Kader Attia reminds us of a limitation Charles Darwin and Alfred Russel Wallace were confronted with as they...
‘Velvet Buzzsaw’: Artfully Dodge this Horror
I am usually the first to avoid horror films, but the trailer for Netflix’s Velvet Buzzsaw intrigued me. A horror film concerning the art...