

Interview with Alexandra Gerstein, curator of ‘Rodin and Dance: the Essence of Movement’
Dr Alexandra Gerstein, curator of Sculpture and Decorative Arts at the Courtauld Gallery, has curated the new exhibition ‘Rodin and...


Review: Sylvie Franquet: reMembering at October Gallery
Sylvie Franquet, Prisoner of Love, 2016. Wool, acrylic and lurex on cotton canvas sewn into ash frame, 80 x 100 cm. Photo: Jonathan Greet...


Eyes on the Prizes
Should you care about literary prizes? Autumn is the most exciting time of year for books. Hundreds of long-awaited titles are released...


'Lo and Behold' by Werner Herzog
Image: author's own. ‘Lo and Behold: Reveries of the Connected World’, 2016 dir: Werner Herzog The Internet, Documentary Science Fiction,...


Save Art History
The first time I understood Art History to be a subject, rather than something you did at the weekends with your parents, was at my...


Comedy Review: Shoot From The Hip!
Image courtesy of SHOOT FROM THE HIP! There is no better remedy to a long day of work, stress, library procrastination or winter blues...


Review: Revolution - New Art for a New World
Film Review: MARGY KINMONTH’s ‘Revolution: New Art for a New World’ Kustodiev – Demonstration in Uritsky Square (image courtesy of Arts...


‘I, Daniel Blake’, or how to stand up for yourself
Ken Loach’s latest film, ‘I, Daniel Blake’ (2016), brought him his second Palme d’or and is now finally out on the UK screens. Film...


Undressed: a fashion journey that matters
Illustration by Katie-Lloyd Hughes With its temporary exhibition Undressed: A Brief History of Underwear, the V&A celebrates the...
Dear Jonathan Jones,
Opinion Piece: AQA axes History of Art A-level After reading Jonathan Jones' recent article about the A Level art history scrapping where...


