

Cucumbers, Coal and the Curriculum: The Oddities of Local Heritage
Illustration by Anna Seibæk Torp-Pedersen For the better part of my primary education our school trips would, invariably, be to the...


Contemporary Chinese Performance Art: An Interview with Yingmei Duan
Yingmei Duan (b. 1969) left her home country China in 1998, after being a member of the underground Beijing East Village group between...


The Art of Destruction: Metzger, Matta-Clark and Bonvicini
In February 2001, the artist Michael Landy gathered together all his belongings, catalogued them and destroyed them. All 7,227 of his...


Food: Heritage and Evolution
Illustration by Anna Seibæk Torp-Pedersen Cuisine is central to the heritage of many people across the world, who draw on national, local...


The Mind and Practise of Michael Felber
Arctic Father - 22.5” x 30”, colored pencil on paper Since the beginning of the new year I have had the pleasure of engaging in a regular...


Returning to the Philippines: Medalla and I
Installation view, David Medalla, A Stitch in Time, 1968 – 2017. Viva Arte Viva, Arsenale, Venice Biennale, 13 May–26 November 2018....


20 Portman Square, Somerset House: The Buildings of The Courtauld. An Interview with Anthony Robins
Illustration by Tessa Carr Walking into Somerset House for each visit to the library, for each lecture or class, I am constantly grateful...


The Great Spectacle
Thomas Rowlandson and Augustus Charles Pugin, ‘Exhibition Room, Somerset House,’ 1808. Engraving. (Image: Wikimedia commons) If we want...


Review: SURGE, the 13th East Wing Biennial
Hiroki Ishikawa, Sediment of a Day, 2018. (Image courtesy of EWB) For its thirteenth edition, SURGE, the East Wing Biennial has turned...


The Wallace Collection: An Interview with the 9th Marquess of Hertford
Illustration by Nia Thomas The beloved Wallace Collection boasts a rich and exhilarating heritage, one that is intrinsically linked to...


